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Southern Oregon University

OSHER LIFELONG LEARNING INSTITUTE


OLLI at SOU

Arts: Theater   

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  • Basic Acting: Finding What Lies Beneath the Words – In-Person
  • Item Number: S26ARTS399A
    Dates: 3/30/2026 - 5/4/2026
    Times: 1:00 PM - 2:30 PM
    Days: M
    Sessions: 6
    Maximum Enrollment:  20
    Building: SOU Art Building (opens in new tab)
    Room: Meese Auditorium
    Instructor: Leonie Mikele Fogle
    This course is full. Please click the "Add to Waitlist" button. Please note: You must be signed in and be a current member (or have a membership in your cart) to access the "Add to Waitlist" button. 

    What does it take to be an actor? Most of it is commitment — to the emotional life of the character you are bringing to life. It takes painstaking line-by-line analysis of the text, historical research and, more than anything, a courageous willingness to expose a bit of yourself while acting. The course will follow the belief of the famous acting instructor Stella Adler in the power of the imagination. We will also explore techniques actors use when they prepare for a role and learn some of the vocabulary with which most directors expect you to be familiar. Although this is not a class in how to act verse, we will talk about strategy when approaching verse. We will discuss what it takes to be committed and ways to manage stress when you are fully involved.

    NOTE: No prior experience is needed. Each participant will know how much they can do in class, and no one will be pushed. Those with more experience can take on bigger challenges in terms of text and emotional commitment. Liability waiver required to participate.

 

  • Broadway Musicals, Small Hits and Near Misses, Part 3 – In-Person
  • Item Number: S26ARTS363A
    Dates: 3/30/2026 - 5/11/2026
    Times: 1:00 PM - 3:00 PM
    Days: M
    Sessions: 7
    Maximum Enrollment:  53
    Seats Available:  44
    Building: Campbell Center (opens in new tab)
    Room: Room D
    Instructor: Lee Fishel
    This course will review some Broadway musicals that were hits of their time that are rarely produced anymore or, conversely, were failures in their initial run but are now considered minor classics. Each session will feature a full-length video. Due to length, some productions will be divided into two sessions to allow time for in-class discussion. Whenever available, filmed productions of the original stage version will be used rather than less faithful Hollywood movie adaptations. Titles for this term will include: “Crazy for You” (Gershwin), “Me and My Girl” (Gay, Furber and Rose), “A Connecticut Yankee” (Rodgers and Hart), and “1776” (Edwards). Enrollment in Broadway Musicals Parts 1 and 2 is not a prerequisite.
 

  • Comedy Through the Centuries – Online
  • Item Number: S26ARTS414
    Dates: 3/31/2026 - 4/14/2026
    Times: 11:00 AM - 12:15 PM
    Days: Tu
    Sessions: 3
    Maximum Enrollment:  299
    Seats Available:  277
    Building: Online
    Room: (Zoom)
    Instructor: Robin Engel
    Explore the evolution of comedy from ancient Greek satire and medieval jesters to Shakespearean wit and today’s viral memes. This lecture course, which includes PowerPoint and video clips, reveals how humor reflects culture, challenges norms and connects us across generations. In addition, explore why we laugh and what makes something funny. Perfect for comedy lovers and history buffs alike!
 

  • Improv for Beginners: Yes, and ... With Friends – In-Person
  • Item Number: S26ARTS400A-2
    Dates: 4/1/2026 - 4/29/2026
    Times: 1:00 PM - 3:00 PM
    Days: W
    Sessions: 5
    Maximum Enrollment:  17
    Seats Available:  4
    Building: SOU Art Building (opens in new tab)
    Room: Meese Auditorium
    Instructor: Larry Molacek

    This course introduces participants to the core principles and practices of improvisational theater. Designed for beginners, it emphasizes creativity, cognitive flexibility, collaborative communication and low-stakes play. Through a series of structured improv exercises, students explore “yes, and” thinking, character creation, spontaneous storytelling and social connection in a supportive, humorous environment. No prior improv or performance experience is needed. There are no required texts. Many exercises can be done seated, standing or adapted for mobility or comfort needs.

    NOTE: Liability waiver required to participate.

 

 

  • Shaw: The Second-Greatest English Dramatist – In-Person
  • Item Number: S26ARTS401A
    Dates: 4/2/2026 - 5/14/2026
    Times: 9:00 AM - 10:30 AM
    Days: Th
    Sessions: 7
    Maximum Enrollment:  53
    Seats Available:  34
    Building: Campbell Center (opens in new tab)
    Room: Room D
    Instructor: Robert Graybill
    Although he wrote the play “Pygmalion,” on which “My Fair Lady” was based, George Bernard Shaw would have hated the ending of the musical. Eliza Doolittle, he argued, must never marry Henry Higgins. In fact, the ending was an absolute betrayal of what Shaw believed to be the proper relationship between men and women. The purpose of this course is to strip away the cheap romanticism with which musical saddled poor Shaw and show him for what he really was: the most penetrating, enthusiastic and hilarious critic that Victorian society ever knew. Among the plays to be investigated will be “Mrs. Warren’s Profession,” “The Devil’s Disciple,” “Man and Superman,” “Heartbreak House,” “Saint Joan” and, yes, “Pygmalion.” Only Shakespeare is considered a greater English playwright.
 

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